Pohoda festival review
Not surprisingly, this late spring has brought a well-known story of frightfulness stories from different UK music occasions; absurd lines, exuberant security, and an absence of essential foundation scourging what should elevate, celebratory outings. Be that as it may, in Europe, they do things any other way – they improve – and Slovakia's Pohoda Festival is quick getting to be one of the landmass' most prominent ends of the week.
To cast one's eye over the sunbaked fields of Trenčín loaded up with a large number of cheerful fans is to observe how celebrations ought to be. Here, you're not just a "client", you're dealt with like piece of the more distant family, and the coordinators make a special effort to make everything as wonderful as would be prudent. There are free drinking water and sunscreen stations spotted everywhere throughout the site, the assortment of (incredibly) sensible estimated neighborhood nourishment and tipples is amazing, and what small managing is required is finished with tolerance and a grin.
Everything signifies an euphoric three days, with the vibe great vibes reflected in a melodic line up that veers towards the poppier, inspiring end of the range. Pohoda has never gone in for having a few A-rundown main events, yet in truth they don't have to; rather a rich, assorted choice of craftsmen spread for the duration of the day implies there really is something for everybody – and valuable couple of conflicts.
Thursday opens with a one-two punch of Ziggy Marley – whose elevating reggae-pop flawlessly coordinates the stupendous dusk – and the Chemical Brothers, who bring robots, strange visuals, and indeed, a lot of square rockin' beats to the witching hour. Bleeding edge or imaginative they are not, however the team, both moving toward 50, do their best to empower the group and present a large portion of the hits, which still solid fresh 20 years after their prime.
With an aggregate of ten phases – including different tents, a delivery holder, and a dull, sweat-soaked, passed out box – it's anything but difficult to plunge all through sets and get a genuine kind of Slovakia's prospering melodic ability. Rising maker come-electro-whizz-kid Isama Zing stuns in the corner of the Klub, while mid-evening daylight is the ideal scenery for Tolstoys' winsome dreampop. Best of the pack however is NVMERI, whose idiosyncratic, funk-obligated math-pop prompts a whole tent to toss shapes with jazzed desert.
The hyper moving proceeds with a few hours after the fact as Confidence Man walk around stage and dispatch into precisely the sort of joking, libertine disco bangers you'd anticipate from a couple who pass by the names of Janet Planet and Sugar Bones. Satisfying their notoriety for being this current summer's Greatest Festival Band, an hour in their organization is the most woozy fun believable, joining the silly, the exceptionally camp, and the totally heavenly.
Shoegaze legends Ride are similarly as great, turning back the years and sounding as rich and far reaching as ever. Joining works of art with material from ongoing record Weather Diaries, their whirling dividers of clamor are as cheerfully gotten as Slowdive were a year ago, and move through the riffs and crescendos with power and effortlessness. Promptly a short time later individuals heap over to watch Danny Brown – in lively structure – convey a tumultuous, energized set that draws
For genuine star control however, it's difficult to beat Rodriguez, whose landing in front of an audience is welcomed by a quieted worship. Situated at the front of the stage and looking to some degree fragile, he all things considered conveys a brilliantly warm hour of music, and he appears to be truly moved by the upbeat gathering he's managed. "Much appreciated such a great amount for turning out, it's extremely incredible to see all of you," he says, when obviously the joy – and the respect – is all our own.
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To cast one's eye over the sunbaked fields of Trenčín loaded up with a large number of cheerful fans is to observe how celebrations ought to be. Here, you're not just a "client", you're dealt with like piece of the more distant family, and the coordinators make a special effort to make everything as wonderful as would be prudent. There are free drinking water and sunscreen stations spotted everywhere throughout the site, the assortment of (incredibly) sensible estimated neighborhood nourishment and tipples is amazing, and what small managing is required is finished with tolerance and a grin.
Everything signifies an euphoric three days, with the vibe great vibes reflected in a melodic line up that veers towards the poppier, inspiring end of the range. Pohoda has never gone in for having a few A-rundown main events, yet in truth they don't have to; rather a rich, assorted choice of craftsmen spread for the duration of the day implies there really is something for everybody – and valuable couple of conflicts.
Thursday opens with a one-two punch of Ziggy Marley – whose elevating reggae-pop flawlessly coordinates the stupendous dusk – and the Chemical Brothers, who bring robots, strange visuals, and indeed, a lot of square rockin' beats to the witching hour. Bleeding edge or imaginative they are not, however the team, both moving toward 50, do their best to empower the group and present a large portion of the hits, which still solid fresh 20 years after their prime.
With an aggregate of ten phases – including different tents, a delivery holder, and a dull, sweat-soaked, passed out box – it's anything but difficult to plunge all through sets and get a genuine kind of Slovakia's prospering melodic ability. Rising maker come-electro-whizz-kid Isama Zing stuns in the corner of the Klub, while mid-evening daylight is the ideal scenery for Tolstoys' winsome dreampop. Best of the pack however is NVMERI, whose idiosyncratic, funk-obligated math-pop prompts a whole tent to toss shapes with jazzed desert.
The hyper moving proceeds with a few hours after the fact as Confidence Man walk around stage and dispatch into precisely the sort of joking, libertine disco bangers you'd anticipate from a couple who pass by the names of Janet Planet and Sugar Bones. Satisfying their notoriety for being this current summer's Greatest Festival Band, an hour in their organization is the most woozy fun believable, joining the silly, the exceptionally camp, and the totally heavenly.
Shoegaze legends Ride are similarly as great, turning back the years and sounding as rich and far reaching as ever. Joining works of art with material from ongoing record Weather Diaries, their whirling dividers of clamor are as cheerfully gotten as Slowdive were a year ago, and move through the riffs and crescendos with power and effortlessness. Promptly a short time later individuals heap over to watch Danny Brown – in lively structure – convey a tumultuous, energized set that draws
For genuine star control however, it's difficult to beat Rodriguez, whose landing in front of an audience is welcomed by a quieted worship. Situated at the front of the stage and looking to some degree fragile, he all things considered conveys a brilliantly warm hour of music, and he appears to be truly moved by the upbeat gathering he's managed. "Much appreciated such a great amount for turning out, it's extremely incredible to see all of you," he says, when obviously the joy – and the respect – is all our own.
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http://www.chimisal.it/index.php?option=com_k2&view=itemlist&task=user&id=684404
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